INDIEchouette


BEFORE MARCH ENDS

I think this one is easier on the ears.

1.  Sea Legs | The Shins
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The beginning to this song, before any melody or lyrics, sort of reminds me of something Switchfoot would do, and I loved Switchfoot when I was maybe fourteen.  I have since moved on, but you could say that I am comforted by familiar things.  Everyone is.  In addition to reminding me of Switchfoot, the Shins will always remind me of some scene from Garden State, even if only two of their songs were in the movie.  “Sea Legs” is a darker Shins piece, but it’s not unpleasant.  In its boldness, it is pleasant.  It is assertive.  It is an evening piece.  The evening is my favourite time of day.  That’s why I put this on my March mix, because it’s starting to get warmer, it’s spring, and the evenings are beginning to grow more and more enjoyable.

2.  Unforgettable Season | Cut Copy
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Sometimes, when I have a clear head, blank slate, and I don’t already have a song in mind, I’ll allow my iPod to shuffle around songs that I don’t listen to very often.  That’s how I grew to like “Unforgettable Season.”  The reason I allowed myself to listen instead of switching the song is that it’s encouraging and atmospheric, like most summer songs.  It’s not summer, but it’s close enough.

3.  Can’t Stop Now | Keane
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As I said before, familiarity is comforting.  Keane is familiar.  Also, Keane and piano rock in general both give me this weird romantic-comedy feelings.  It’s probably because Keane always has this pained, broken-hearted sound that captures the feeling that someone is lonely and trying very hard to be happy in order to get over something dreadful.  I’m not going to lie (and really, why would I lie), I love that sound and I love that feeling.  Emotion keeps my heart running.

4.  Take Me Anywhere | Tegan & Sara
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I think Tegan & Sara’s short songs are the best ones because they pack the most feeling into the smallest packages.  For example, listen to “Soil, Soil.”  That’s one of my favourites.  Also, the short ones tend to be the catchier ones.

5.  Jedi | melpo mene
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I have a newfound love for Star Wars.  And I have a relatively newfound love for the style of elevator music that Melpo Mene produces.  But my love for gentle, delicate voices is not newfound.  It may be because of “I Adore You” or maybe because of the all-around sound that their albums produce, but I find that Melpo Mene is the epitome of a cloud-band.  Also, for some reason, maybe because his voice is just so delicate and his songs just so tender, Erik Mattiasson somehow reminds me of a Swedish version of Gael García Bernal’s character in The Science of Sleep, which is endearing.  It makes me want to tuck him in and make him breakfast.

6.  Pagan Angel And A Borrowed Car | Iron & Wine
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Ali pointed out to me that Sam Beam looks like Jesus.  I already somehow realized this, but having her point it out so bluntly is only a little bit of a setback, because I generally love hairy people.  I really don’t care that he has taken up the typically unattractive Christ-look because of his delicate, smooth, and intimate voice, which is revealing but still manages to retain a great amount of dignity.  I love Sam Beam’s work.

7.  Let It Fall | Lykke Li
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I uploaded this song only a few days ago, but here!  I’m giving you another chance to introduce yourself to Lykke Li!  Every time I listen to this song, I want to hopskotch, jumprope, draw with chalk, and play outdoors kids’ games.  Do not ask why.  Probably because of the sing-songness, syncopation, and “so happy-ee-ee-ee!” Maybe I’ll make a mix of new childhood nostalgia songs for the summer.

8.  Soul Meets Body | Death Cab For Cutie
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I also uploaded this song recently, but I don’t think I ever explained just why.  I went on a bike-trip for dinner to Carytown with Virginia and Bryan, neither of whom have websites that I can link to.  We ate dinner at Nacho Mama’s and then left to gather up our bikes and as we drove past Nacho Mama’s again, we heard this song emanating from the outdoor speakers.  When I hear a song that I already love playing in a public place, I will be hooked on it for a while.  This one’s for the good biking weather!

9.  Coat Check Dream Song | Bright Eyes
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Cassadaga wasn’t as awesome as Conor Oberst’s older material.  We all know that.  The warbly voice was gone, the drugs were absent.  There were, however, some winners, such as this one, which features some woman as a guest–who is it?  Is there more than one woman?  Is one of those women Maria Taylor?  I think that the woman in this song really makes it.

10.  Dance Dance Dance | Lykke Li
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I searched Lykke Li on Youtube.  I found this video.  A dancer all alone.  This song could make you feel so alone in a crowd.  The percussion.  Her lonely voice.  The lonely lyrics.  I became ecstatic and fell in love with the song.  What I love is that there is not really any buildup and it never becomes a huge fanfare, though it gradually becomes a little more lively, a little more happy until there is a chorus of women and maybe one man.  Also, it’s probably the only song in the world written and performed by a self-proclaimed shy person.  I love that.

11.  Wedding March | Erin Tobey
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I don’t like the idea of marriage, but I love the idea of a female acoustic artist.  In fact, I love the idea of acoustic artists in general.  Or acoustic artists that are purely instrumental.  Or purely instrumental artists.  Lyrics sometimes get in the way.  That doesn’t happen with Erin Tobey.  Erin Tobey’s voice is so gentle, anyway, that it just combines with the guitar and absolutely floats as it ascends to meet Melpo Mene in the clouds.  Listen to the lyrics, though.  They are how I feel.

12.  Avignon | Pinback
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This was my first taste of Pinback years ago.  So when I was asked by Ke at the beginning of last semester if I had ever heard of Pinback, yes, I had, but I didn’t know it until I checked out my Last.fm charts from forever ago.  My first taste of Pinback was via Last.fm and I was probably sixteen.  I must add here that it was a faster verion and that I officially love songs with pet names.  In this case, they’re sad pet names.  In other cases, you get pet names like Baby Girl, which is basically my cat’s name.  Babygirl.  Babyqirl.

Avignon (Full Band Version) | Pinback
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This is the faster version.

13.  Hanging High | Lykke Li
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Supposing I have children, I want them to grow up listening to this serene tune.  That’s the first thing I thought when I first heard these bittersweet sounds.  She has a delicate but distinct voice, so sweet and dignified, so bold, and so young.  She’s so young.  It all shows here.

14.  Effigy | Andrew Bird
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You can tell that Andrew Bird definitely loops the beginning, which is a magical procedure to witness live.  He has to be so precise!  Anyway, I heard this one at Cherry Alley, which was another case of falling in love with a song I know and then hear in a public place.  I recognized Andrew Bird’s distinct voice immediately and felt calm.  As far as I’ve noticed, he rarely uses guests, but when he does, they’re incredible females.  Ali put it so simply:  It’s such a beautiful song.  Even if it’s about death.  Well really, those can be the most beautiful because they’re loneliest.

15.  House By The Sea | Iron & Wine
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I feel that I need to show you a picture of Sam Beam’s Jesus-ness in order for you to understand.

Not Sam Beam.  Actually Jesus.

Not Sam Beam. Actually Jesus.

The reason I love this song so much is that it talks about two jealous sisters waiting in a house, basically just prepping, doing nothing, waiting for something terrible.  I picture an abandoned house where my sister is making angels in the dust on the wooden floors and I am walking around, loving her, trying to take care of her, trying to change the locks on the door, trying to keep her safe even though we can’t be safe anywhere and we will have to leave soon.  There is a lot of imagery, and it reminds me of myself and my sister, Rachael.  Or what we could be if we were terrible people who had to get along because we had nobody else.  Also, I love raspberries.  And I love the way Sam Beam sings about raspberry leaves.  And I love the guitar riffs.  This is currently my favourite Iron & Wine song.

16.  Underground | Sentinel
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Even if the guitar parts make little sense to me, it’s my favourite part.  I like this song because it has potential.  It succeeds in being atmospheric and a definite travelling song, which is all I really ask of it.  My favourite part is either the beginning or the last ~30 seconds.  If you like it, then I advise that you check out “Avalanche” by Sentinel.

17.  2 O’Clock | Kaki King
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Kaki King is playing a childish game with us.  Her voice is like Erin Tobey’s in that it floats up in the clouds.  I’m guessing that this song is about someone who is taking care of a very injured person who doesn’t love her. the pain is the reason I love this song.  And the sing-songness she uses when she gets to the built-up part.  I generally love Kaki King’s ability to capture any melancholy emotion, though.  In a sense, it’s a shame she doesn’t sing more, since her voice is tinged with pleasantness, but then, I’d be afraid that her voice or lyrics would get in the way of her music, which would be unfortunate.  Also,  you need to listen to Kaki King’s retaliation at the end of the track.  Don’t stop when she stops singing.  Keep going.

18.  Out On The Weekend | Neil Young
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Listening to the original really stresses just how well Conor Oberst/Bright Eyes can cover Neil Young.  Or how much Neil Young influenced Bright Eyes.  I wish I had good taste when I was younger.  Don’t fret that it’s a really quiet track, either; my dad converted all of his records into mp3 format and that’s why.  “She’s so fine/She’s in my mind/I hear her callin'”  Yeah.  Favourite part in any version.

19.  Resurrection Fern | Iron & Wine
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My attention was called to this piece because it was on a mix that someone close to Jaimie had made for her.  It shows how close.  Whenever I hear, “Like stubborn boys across the road we’ll keep everything,” I think of Charles, Coleton, Phelan, Travis, and Torey and how close we were the summer of 2007 on North 11th Street under Charles’ tree.  Every day!  Every night!  Circle Meetings!  We were a family, along with my real family, Rachael, Alexa, and Shannon.  I loved them all.  I still love them all.  I miss being lonely, underage, and terribly sad.  I think that it’s harder to be lonely and of age.  I really do.

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SO MANY THINGS

Brent and I broke up a week ago. Two days ago was Derek’s seventeenth birthday. Today is my half birthday. Tomorrow is why it is Leap Year. In April, I’ll get word back about VCU. In August, I’ll head to college. A week or so later, I’ll turn eighteen. Crazy.

I have news for you.

A few posts ago, I mentioned good old Final Fantasy and his remix of Stars’ “Your Ex-Lover Is Dead.” Como se dice, “COMPLETELY UNDERRATED?!”

Owen Pallett

The song starts out with, “When there’s nothing left to burn, you have to set yourself on fire.” But it’s said by several different people. My favourite is the last one, when this little kid yells, “Nothing left to burn! Set yourself on fire!”  It’s hilarious. Then the mood breaks into total ballroom waltzing. If that’s possible? Ballroom dancing. You’ve got this gorgeous, extremely formal piano. I want to say it’s cordial. Like, Victorian era, a couple dancing, but there was no PDA in that era, so they kind of have to keep things on the DL while they’re in a public ballroom. That’s exactly what it feels like. There’s a disruptive violin, and it’s resolved a few measures later. Instead of a chorus, you get the familiar piano, washing memories over you like waves at the Victorian beach where I guess all the water got to touch was your feet. And then when you have someone singing, the violin makes a little commentary on the side. And then the piano’s like a hug from an old friend. It’s comforting. The song finishes so tenderly. It’s so Howl’s Moving Castle. Listen to it after you’ve seen the movie and try to tell me it doesn’t belong.

Your Ex-Lover Is Dead (Final Fantasy Remix) | Stars

Andrew Bird

Recently, I stumbled across an Andrew Bird song from Armchair Apocrapha; since I don’t have that album, I had to stumble across it. “Plasticities.” There are all the whistles and violins that are Andrew Bird staples, but then it’s a cheerful, incredibly enjoyable song, even (I think) for the masses. As always, the vocabulary is just pretentious and intelligent, but I love the lyrics. Andrew Bird satisfies my needs.

Plasticities | Andrew Bird

The Album Leaf

This time, think no lyrics.  I mean, do it for a few minutes.  Just instruments.  Layers, movement, development.  I’d certainly call this a sunny song, just because it’s most meaningful when the sun is out, as it sounds like it should be the sound the sun makes when it shines on things.  Or it is for me.  Sweet progress.

Drawing Mountains | The Album Leaf

Kaki King

Also, talk about an underappreciated instrumental song, Kaki King’s “Gay Sons of Lesbian Mothers.”  Pretty intense title if you think about it.  Anyway, I love the bass, the movement and the progression of this song, and for me, Kaki King’s skillz express lots of built-up angst.  I guess it’s the angst that comes from oppression.

Gay Sons of Lesbian Mothers | Kaki King

+/- Plus/Minus

I found this next song a long, long time ago, and I’m not sure where I found it exactly, but it stuck with me.  It’s not because I’ve ever had an abusive boyfriend or that anyone in my family is abusive.  I enjoy the alternating piano and guitar sort of pulling for power and the lyrics that don’t tell all but tell you enough to get the story.

Summer Dress 2 [Iodine] | +/-

Rilo Kiley

Rilo Kiley is arguably my favourite band.  Really, try me.  Most of their gems originated in the mid-2000s, but that doesn’t mean there’s nothing good to be said of their oldest material.  In fact, some of their most meaningful songs are from The Initial Friend EP, released (I guess) in 2000.  You’ve got gems like “Papillon,” “Gravity,” “Glendora,” and then, of course, the slower jam, “85.”  It’s a confessional that almost seems like the predecessor to one of my little old favourites, “A Man/Me/Then Jim,” in the storytelling style.  It’s also incredibly reminiscent of Jenny Lewis’ act with the Watson Twins.

85 | Rilo Kiley

Joe Anderson needs more Glamour Shots

This is another one from Across the Universe.  Yes, I’m still stuck on that movie.  If you haven’t seen it yet, I highly recommend that you go out to the movie store right now and rent it.  In fact, you might as well buy it.  You’ll want to.  It’ll trip you out a little, but it’s such a feat!  Such a feat.  A life-changing feat, at that.  Anyway, this is tied for my favourite song and I have to listen to it at least once daily.  I need my fix.

Happiness Is a Warm Gun | Joe Anderson feat. Salma Hayek

Cherry Alley

Oh, also, if you are ever in town, Lewisburg, whatever, go to Cherry Alley Café.  I know, I know, blatant advertising, but I like the hot chocolate there, plus, they’re constantly playing excellent music.  I mean, Neutral Milk Hotel is on quite a lot, but you’ve also got a good dose of Sufjan Stevens (they played “The Henney Buggy Band” and I almost died because Derek made me adore that song), a dash of Bright Eyes, some Death Cab over thurr, and Mates of State.  Absolute props.