INDIEchouette


I FORGOT A TITLE

I just zoned out and pictured Ali and Becca with Ed Zych moustaches.  Hahah.  Wow.

Speaking of Ali, she created a new blog.  I am going to advocate her blog for a minute.  You might like my blog because I am long-winded and really immature and I mope a lot.  You get to watch me grow up.  Go back to my first post, and you want to punch me in the face.  I like to explain things thoroughly so you completely understand whatever I’m talking about.  And I try so hard not to offend.  You will like Ali’s blog because she uses colourful pictures to illustrate her points.  She writes with an intensity that is unheard of.  Somehow, she is able to get her point across with few words.  If we both wrote about the same thing, I’m pretty sure that I would take a five-paragraph essay to convey what she can in five sentences.  The way she writes conjures up thoughts of vignettes.  They are little snippets of her life that require no backstory.  Ali’s writing is unique in this way.  The way I write is basically a very unpoetic epic poem or a journal.  I give you some backstory.  You can track my progress.  I change.

Dear Ali,
I will always find you whenever you start a new blog.  You can’t hide.
Love, Paige

When I put it this way, I wonder why you read my blog at all.  It’s probably for the free candy.  Free music.  Yeah.

Honestly, I don’t know why I’ve let the blog go for this long without some new music.  Because I’ve been listening avidly all this time, finding new lovely artists.  I’ve been tuning my iTunes to spring.

I feel that I should start slowly though.  First, I said back in February or March that I would write about She & Him, and I didn’t lie but I just haven’t done it yet.

Erika is the one who introduced me to She & Him.  She told me that she falls asleep to their album, Volume One, every night.  It is her teddy bear.  I was excited but a little skeptical.  It seemed like sacrelige to me to bed down with an album like that, to worship something other than Rilo Kiley.  And while they are no Rilo Kiley for me, while Zooey Deschanel is no Jenny Lewis and M. Ward no Conor Oberst/Blake Sennett, they put up a damn good fight.

shehimsheandhim

If you like Jenny Lewis’ solo albums and if you love 50s/60s pop music with a slight bubblegum flavour, then She & Him is for you.  I really don’t know how they manage it.  It’s a mind-blowing mixture, slightly dangerous, but for what it is, it is perfection.  I would even venture to wholeheartedly recommend She & Him to older listeners, people who grew up with that 50s or 60s bubblegum pop.  I don’t think anyone out of their mid-twenties even reads this, but next time you and your Aunt Elaine are bonding over music, pop this one in.

As for the album itself, most of the thirteen tracks check in at under three minutes.  She & Him don’t go for the epic “Tereza and Thomas”-type shit.  That means that every song is bite-sized, kind of like a Sour Patch Watermelon.

I should never write reviews for CDs again.  My analogies are cringeworthy.

You Really Got A Hold On Me | She & Him
[mediafire] [buy]
Did I mention that they do covers that make me want to melt?  Also, maybe you can help me.  In iTunes and on Last.fm, it’s named “You Really Gotta Hold On Me” but elsewhere, it is named “You Really Got A Hold On Me”.  Which is correct?

I Thought I Saw Your Face Today | She & Him
[mediafire] [buy]
Did I mention that I love sick beats?

While I’m on a roll, talking about amazing women, it is mandaroty that I mention Sarah Maple.  She is an incredibly accomplished and clever feminist painter and photographer.  I don’t want to just paraphrase the Bitch article that introduced her to me on a formal basis (because I had run into her a few times before, but the websites never cited her).  She’s just an incredible cultural commentator.

This ones my favourite.

This one's my favourite.

As for real-life occurrences, I go home in three weeks (less than a month) and I am stoked.  I will be able to sit outside and read all day while my sisters suffer at school.  And for those of you still in high school, yes, that is a pretty mean thing to say, but when you think about it, I suffered too.  I went to school for fourteen years before arriving at this position.  This is my fifteenth year, and it’s almost done.  If you’re in high school, you probably haven’t gone through that much school.

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LE CULTURE DE FRANCE ET LE CULTURE D’INDIE

Got sick yesterday, recovered by laying around after school and watching Paris, Je t’aime.  Incroyable.  Indescribable.  I went into French class this morning all ready to use my nasal “r” sound, and then I remembered that it is just high school French and even my teacher does not have it in him.  And we are American.  Pennsylvanian at that.  We are allowed to use these German accents to speak German, but we cannot risk the embarrassment of sounding really, truly French.  How patriotic would that be, in conservative central Pennsylvania, where the French are pansy fags?  Mais j’aime le culture de France.  Even if no one else does.  Just like I love Rilo Kiley in all of its indie rock, folk-tinged glory, even if no one else does because it is too “country.”

This segment reminded me a ton of Garden State.

The overall feeling of the film was nostalgia.  Little stories about love.  I laughed, I cried, I thought about my own love, my own life.  Each part was delicate.  Just five minutes long.  But each had something in it for me.  It was like peeking into all of these different lives and just seeing that they’re all somehow alike, despite socioeconomic status, despite gender or marital status or exact situation.  Precise location.  And it’s because of love.  It made me sad that I mostly had to read subtitles because my savvy for listening comprehension does not extend far beyond the tapes in French class or my teacher and peers, aided with textual references and G-rated vocabulary.  But it makes me that much more motivated to start listening to RFI every day and to download more good French artists.  Maybe not more squeaky clean Lorie.  I know that there must be French indie.  I just don’t know where to find something cent pour cent French.  Because a lot of it (like the Arcade Fire or Charlotte Gainsbourg) is interspersed with English.

Anyway, tomorrow, I am going to New York City for the first time to see Young Frankenstein.  Although I am excited, I am also extremely nervous and intimidated and I really can’t see myself going there.  It’s a cruel city, but I imagine it is also beautiful.  But how do you not look like a tourist when you are enchanted?  I guess it’s not such a bad thing being a tourist; loads of people are tourists in New York City.  But I see it as bad.  I mean, I get so acquainted with the bands I listen to so that I am not a n00b.  So wouldn’t it make sense to do the same with cities I want to visit?

I am less nervous for going to DC on Friday with art.  I have been to DC a million times.  We talk about DC every day in AP Gov.  It’s just going to be another trip there.  I am comfortable with DC.  I mean, it’s halfway home.

I went downtown with Brent to Cherry Alley Café today.  Got a hot chocolate.  And while we were sitting around talking, the oh-so-cute “Anyone Else But You” came on the stereo system.  By now, you should know it by heart.  By the Moldy Peaches.  I mentioned that it is a shame: Everyone is now calling dibbs on all these grand indie bands like they own them, “I heard them first,” hoarding them, sticking them in their Facebook profiles.  Because they have one popular song that the masses like.  And it’s so fucking cute.  And it’s about ugly people loving each other.  How cute is that?

But before their exposure from Juno, no one had heard of the Moldy Peaches.  Nothing wrong with Juno.  I, for one, loved the film.  I could relate to the protagonist.  A sarcastic high schooler who keeps getting caught in romantic waters way over her head, kind of quirky or “off,” in love with her best male friend and unwilling to admit it for a long time.  Very into music.  Quite the fan of hoodies.  Guys at school are not interested, for the most part.  Then you could go into superficial things.  Drives mom’s minivan.  Lives in a small town.  Then you could get more superficial.  Short compared to everyone else.  Brown hair.  Whatever.

But the masses fell in love with Juno because she is not your typical teen protagonist.  That’s just it–she is different.  She fits into the indie subculture.  That stereotype.  And so all of these uneducated, normal teenagers go to the movies and they see Juno, and they see a part of themselves in her.  Just like whenever I go to the movies and walk out thinking that maybe a small part of me looks just like Keira Knightley because she is gorgeous and spunky.  But I look nothing like Keira Knightley.  Many of these kids are nothing like Juno.

So they jump on the bandwagon late, try to become weird by trying to fit in with people like you and me.  The really, truly, incurably weird ones.  The ones who are in love with music and don’t give a shit about looking like a character.  And am I looking for street cred?  No.  No, because I have always been like this.  Introverted, introspective, and “off.”  And no movie is ever going to make me look like a character.  I will always, always be like this.  It is a natural progression from who I was as a sophomore/junior.  Music took over my life.  My priority is not to look as credible as I can.  I have other things to worry about.  I love French, I love several bands wholeheartedly, and I love to write.

But here’s where it gets weird.  Here’s where my story disappoints.  The kids who will change in light of Juno and other movies promoting the indie stereotype, they do not see my peers and I as any cooler for being this way naturally.  They will not try to befriend us and talk to us about how awesome our hobbies and plain clothes are.  How they always secretly wished they were like this, wasting life, and how free it feels to look natural.  Normal.  Because I am pretty average-looking.  They will just try to change their friends to be like them.  So that our little underground thing goes public and then we just look like everyone else again.  And the only way to tell us apart?  Talk to us.  Their personalities won’t change.  They probably still won’t have interesting things to say.  Oh, and they still won’t be able to spell.

I think that hanging out with Brent brings out the cynic in me.  He is, after all, the one who pointed this out, that Juno really stereotyped the indie subculture and that kids just find it intriguing.

Well, music.  I guess we can give them those popular songs.  Make them feel like they can get something genuine out of life because that’s the only genuine thing they’ll ever get out of life.  And for those of you who will continue to stick with the subculture when the hype’s all over?  Good for you.  Because Juno really is a great movie, and if you stuck it out after you fell in love with it, then more power to you.

For some time, I’ve been lovin’ on Sam Beam.  You know, Iron & Wine.  I downloaded this song as per my cousin’s request and shoved it aside for a while, but I recently unearthed it and fell in love.  It’s like a long evening of driving towards the sunset.  I love the handclaps.  While Sam Beam’s eyebrows may only get one star (he has some, does he not?!), the song gets all five.

Boy With A Coin | Iron & Wine
[zshare] [mediafire]
[buy] [mp3 direct link]
Iron & Wine’s Website
Iron & Wine’s MySpace

P.S.  I love that my blog has the 26th most popular song on the Hype Machine today, but I also hate it because it was such a fuck-up.  Give me a spot for something I actually deserve, goddamnit.  Whatever, though.  Again, Charlatantric deserves your hits.  Go to his blog and discover truly underrated music.